Radio, Television and Cinema (English) | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | RTC404 | ||||
Course Name: | Communication Practices | ||||
Semester: | Spring | ||||
Course Credits: |
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Language of instruction: | English | ||||
Course Condition: | |||||
Does the Course Require Work Experience?: | No | ||||
Type of course: | Compulsory Courses | ||||
Course Level: |
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Mode of Delivery: | Face to face | ||||
Course Coordinator: | Prof. Dr. AYBİKE SERTTAŞ | ||||
Course Lecturer(s): | Aybike Serttaş | ||||
Course Assistants: |
Course Objectives: | This course is designed for students who are interested in exploring advanced concepts and techniques in cinema studies. |
Course Content: | We will cover topics such as postmodernism, digital filmmaking, and transnational cinema. We will also examine case studies of influential contemporary filmmakers and their works. |
The students who have succeeded in this course;
1) To gain a deep understanding of advanced concepts and techniques in cinema studies. 2) To critically analyze contemporary films in relation to cultural, social, and historical contexts. |
Week | Subject | Related Preparation |
1) | Introduction to Advanced Cinema Studies Course overview and expectations | |
2) | Postmodernism in Film | |
3) | Digital Filmmaking | |
4) | Ulusötesi Sinema | |
5) | The Auteur Theory | |
6) | Non-Linear Narratives | |
7) | Genre Deconstruction | |
8) | Contemporary Documentary Filmmaking | |
9) | Sound Design in Film | |
10) | Globalization and Film Distribution | |
11) | Experimental Cinema | |
12) | Deconstructing Hollywood Blockbusters | |
13) | Analysis of Contemporary Independent Cinema | |
14) | Gender and Sexuality in Cinema |
Course Notes / Textbooks: | Corrigan, Timothy and White, Patricia. The Film Experience: An Introduction. New York: Bedford/St. Martin's, 2019. |
References: | Bordwell, David and Thompson, Kristin. Film Art: An Introduction. New York: McGraw-Hill, 2019. |
Course Learning Outcomes | 1 |
2 |
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Program Outcomes | ||||||||||||||
1) By providing both theoretical and practical education, it prepares students for academic and business life. | ||||||||||||||
2) It provides a critical perspective on mass media. | ||||||||||||||
3) With the English curriculum, it allows students to follow the international market and academic studies from original sources. | ||||||||||||||
4) Students will be an expert in front of the camera, behind-the-scenes, news center, light, sound, editing, directing, cinematography, screenwriting. | ||||||||||||||
5) Thanks to the media professionals, the students will be ready for the sector. | ||||||||||||||
6) Acquires production skills such as short and medium films, screenplays, documentaries and TV programs. | ||||||||||||||
7) Have the basic knowledge and experience of image technologies. | ||||||||||||||
8) Thanks to sectoral cooperation, professional business life will be started. | ||||||||||||||
9) Through an applied curriculum, students gain an interdisciplinary perspective on different media studies. | ||||||||||||||
10) With the technical training to be taken in studio environment, students gain experience in the sector. | ||||||||||||||
11) They will have skills such as negotiating with the group, taking initiative. | ||||||||||||||
12) Acquire basic values related to media and business ethics. | ||||||||||||||
13) Follow the developments in the field and communicate with colleagues by using a foreign language at least at the level of European Language Portfolio B1. | ||||||||||||||
14) Students use information and communication technologies together with computer software at the advanced level of European Computer Driving License required by the field. |
No Effect | 1 Lowest | 2 Average | 3 Highest |
Program Outcomes | Level of Contribution | |
1) | By providing both theoretical and practical education, it prepares students for academic and business life. | |
2) | It provides a critical perspective on mass media. | |
3) | With the English curriculum, it allows students to follow the international market and academic studies from original sources. | |
4) | Students will be an expert in front of the camera, behind-the-scenes, news center, light, sound, editing, directing, cinematography, screenwriting. | |
5) | Thanks to the media professionals, the students will be ready for the sector. | |
6) | Acquires production skills such as short and medium films, screenplays, documentaries and TV programs. | |
7) | Have the basic knowledge and experience of image technologies. | |
8) | Thanks to sectoral cooperation, professional business life will be started. | |
9) | Through an applied curriculum, students gain an interdisciplinary perspective on different media studies. | |
10) | With the technical training to be taken in studio environment, students gain experience in the sector. | |
11) | They will have skills such as negotiating with the group, taking initiative. | |
12) | Acquire basic values related to media and business ethics. | |
13) | Follow the developments in the field and communicate with colleagues by using a foreign language at least at the level of European Language Portfolio B1. | |
14) | Students use information and communication technologies together with computer software at the advanced level of European Computer Driving License required by the field. |
Semester Requirements | Number of Activities | Level of Contribution |
Presentation | 1 | % 70 |
Midterms | 1 | % 30 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 100 | |
PERCENTAGE OF FINAL WORK | % | |
total | % 100 |
Activities | Number of Activities | Preparation for the Activity | Spent for the Activity Itself | Completing the Activity Requirements | Workload | ||
Course Hours | 14 | 3 | 42 | ||||
Study Hours Out of Class | 14 | 5 | 70 | ||||
Homework Assignments | 1 | 6 | 6 | ||||
Final | 1 | 7 | 7 | ||||
Total Workload | 125 |