Course Introduction and Application Information

Course Code:

ICM043

Course Name:

Fictional Space Analysis

Semester:

Fall

Course Credits:

ECTS

Language of instruction:

Turkish

Course Condition:

Does the Course Require Work Experience?:

Type of course:

Departmental Elective

Course Level:

Bachelor

TR-NQF-HE:6. Master`s Degree

QF-EHEA:First Cycle

EQF-LLL:6. Master`s Degree

Mode of Delivery:

Course Coordinator:

Dr. Öğr. Üy. MUSTAFA MORTAŞ

Course Lecturer(s):

Dr. Mustafa Mortaş

Course Assistants:

Course Objective and Content

Course Objectives:

The aim of this course is to decipher and reveal the architectural tectonics that establish spatiality and atmosphere in the uncanny field of drawing and representation, shifting from actualization to virtuality, through the fictional environments of different disciplines, and to open up to the creation process of spatial atmospheric becoming by being involved in the dynamics of becoming with the emerging spatial tectonics. The secondary aim of the course is to problematize the relationality of criticism and creativity in the context of theoretical approaches such as managementality in spatial atmosphere creation, unconscious/subconscious imaginations, post-human hybridization processes and starting from the middle field.

Course Content:

When we look at the dictionary meaning of the word 'fiction', which derives from the act of constituting, we can see that it is "thought, theoretical research that does not go into practice, but only aims to know and explain; the expressions "speculation" and "a work consisting of unreal events and heroes" are also encountered. Space-constituting practices, on the other hand, can reveal events by invoking virtual spaces that trigger perhaps the most critical and creative possibilities in architecture and interior architecture studies. Within the scope of the course, film, text and composition fictions that do not settle into the linearity of history are analyzed and dismantled in the context of understanding and revealing their spatial architectonics. The tectonics revealed are subjected to a process of becoming in a speculative spatial fiction by giving meaning to the subject's potential to become an object and the object's potential to become a subject. In the middle area reached, students are expected to represent their own atmospheric spatiality.

Learning Outcomes

The students who have succeeded in this course;
1) Learning to imagine in the speculative field of spatiality.
2) Gaining the ability to separate the perception of space at different scales into its components by recognizing the visible and invisible interior architecture and urban tectonics of the concept of atmosphere.
3) Ability to include mutual and simultaneous spatial dialogues in the fields of criticism and creativity to becoming process.
4) Being able to give meaning to the atmospheric equivalents of philosophical concepts such as 'posthuman, hybridization, becoming body without organs, deterritorialization, becoming-grab, desiring machines, virtual field and actualization' while constittuting spatiality.
5) İnşa edilmeyen, yönetilemeyen, öngörülemeyen ve/veya bilinemeyen mimari temsilin mekansallığı içindeki olanaklar alanını tasarlayabilme
6) Ability to structure spatial atmospheric transcriptions and translations on the slippery ground of dreaming.

Course Flow Plan

Week	Subject	Related Preparation
1)	Introduction and Course Program
2)	Şiir Kurgusu – şiirselmekan - mekansalşiir \| Cahit Zarifoğlu, Cihat Duman
3)	Şiirsel Atmosferik Mekansallık – tektoniklerin metinden mekansallığa soyutlayıcı temsil tercümeleri
4)	Poetic Atmospheric Spatiality – tectonic revelation, assemblage narratives
5)	Inference Submission 1: SpatialPoetry \| Day Dreaming Workshop – not directing – unconscious/subconscious – encounters – text fiction
6)	Mapping the Subconscious Text - tectonic revelation
7)	Day Dreaming \| announcement of midterm paper and workshop experiments
8)	Midterm Submission
9)	Audiospatial Atmospheric Becoming - spatiality of notations
10)	Audiospatial Atmospheric Becoming - material and solid-void translation
11)	Inference Submission 2: Soundatmosphere \| film interiors, watching film, tectonic collecting
12)	Restructuring your own Cinematographic Atmosphere - becoming body without organs
13)	Film Interiors, watiching the second film, tectonic collection
13)	Film Interiors, watiching the second film, tectonic collection
14)	Restructuring your own Cinematographic Atmosphere - desiring machines
15)	Final Portfolio Submission: all inferences, midterm submission and 2 pieces of atmospheric cinematographic representations

Sources

Course Notes / Textbooks:

"Artun, A. (2015). Sanat Manifestoları: Avangard Sanat ve Direniş, İletişim Yayınları.
Avanoğlu, B. (2021). Şiir/Mimarlık: Binanın İhlali, İletişim Yayınları.
Carroll, L. (2001). Aynanın İçinden, Can Yayınları.
Deleuze, G., Guattari, F. (1993). Felsefe Nedir?, YKY Yayınları.
Duman, C. (2014). Ya Da Pişman Değilim, Agora Kitaplığı.
Gürbilek, N. (2023). Örme Biçimleri, Metis Yayınları.
Zarifoğlu, C. (2015). İşaret Çocukları, Beyan Yayınları. "

References:

Course - Program Learning Outcome Relationship

Course Learning Outcomes	1	2	3	4	5	6
Program Outcomes

Course - Learning Outcome Relationship

No Effect	1 Lowest	2 Average	3 Highest

Program Outcomes

Level of Contribution

Assessment & Grading

Semester Requirements	Number of Activities	Level of Contribution
Homework Assignments	2	% 30
Midterms	1	% 30
Final	1	% 40
total		% 100
PERCENTAGE OF SEMESTER WORK		% 60
PERCENTAGE OF FINAL WORK		% 40
total		% 100

Workload and ECTS Credit Calculation

Activities	Number of Activities	Workload
Course Hours	14	28
Midterms	1	2
Final	1	2
Total Workload		32