Architecture | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | ICM029 | ||||
Course Name: | Contemporary Building Material Theory | ||||
Semester: |
Fall Spring |
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Course Credits: |
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Language of instruction: | Turkish | ||||
Course Condition: | |||||
Does the Course Require Work Experience?: | No | ||||
Type of course: | Departmental Elective | ||||
Course Level: |
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Mode of Delivery: | E-Learning | ||||
Course Coordinator: | Doç. Dr. BİLGE YARAREL DOĞAN | ||||
Course Lecturer(s): | Lecturer Ozan Gürsoy | ||||
Course Assistants: |
Course Objectives: | Developing alternative intellectual positions on topics such as materiality and materials; developing thinking and experimentation on the potentials of materials in the design process. Developing mental pathways on past, current, and future material regimes. Generating thoughts on technology, representation, design, and materiality. |
Course Content: | The course 'Contemporary Material Theories' aims to question and open up for discussion the production methods of the material world, changing materiality regimes throughout history, and changing paradigms regarding the approach to materiality within the context of architectural theory. The goal is to develop a theoretical and practical (or non-practical) awareness and sensitivity towards materials. In this context, alternative methods such as research and gamification through design will be used to experiment with different representation forms and productions regarding contemporary materials, their possibilities and futures, and their roles in producing space. Therefore, active participation and interest from students are expected. |
The students who have succeeded in this course;
1) To develop sensitivity to the possibilities of materiality in the production of space 2) To gain knowledge about the spatial expression potentials of materials in the production of space 3) To question existing materials, future materials, space, structure, and architectural concepts 4) To question the ideological, practical, social, and ecological foundations of contemporary building materials 5) To develop various ideas and design research on the use of alternative materials in alternative space design |
Week | Subject | Related Preparation |
1) | Explanation of Course Processing and Interview on Material Selection | |
2) | Changing Use of Materials with Pre-Modernism (Process of Transitioning Traditional Materials Application to Mass Production) | |
3) | The Search for Matter in the Liberated Design of the 1960s, the Intersection of Conceptual Art and Architecture | |
4) | Structure Samples and Discourses Associated with Material and "Juxtaposition" (Overlap) -Thinks on Genius Loci - | |
5) | Structure Samples and Analogies Associated with Material and Hearing - Reflections on Phenomonological Attitude - | |
6) | Building Samples and Manifestos Associated with Material and Format - Thoughts on Postmodern Formalism and Formalism- | |
7) | Analyzing Materials Differentiated by Formality, Materiality and Application Through Designs | |
8) | Midterm | |
9) | Student Presentations 1: Current Place Suggestions Regarding Materials | |
10) | Student Presentations 2: Current Place Suggestions Regarding Materials | |
11) | Student Presentations 3: Current Place Suggestions Regarding Materials | |
12) | Student Presentations 1: The Search for Alternative Solutions to the Suggestions for Places Based on Materials | |
13) | Student Presentations 2: The Search for Alternative Solutions to the Suggestions for Places Based on Materials | |
14) | Student Presentations 3: The Search for Alternative Solutions to the Suggestions for Places Based on Materials |
Course Notes / Textbooks: | *Picon, A. (2019), Mimarlığın Maddiliği’, (Çev. A. Tümertekin), Janus Yayınevi, İstanbul Diana Coole & Samantha Frost, New Materialisms: Ontology, Agency, and Politics (Duke University Press, 2010) Neil Leach, “New Materialism,” Urban Flux, 1, 2009, ss. 26-9. Bilgin, İ., 2016, Mimarın Soluğu, Metis Zumthor, P., 1998, Thinking Architecture, Birkhauser Publishers. |
References: | *Picon, A. (2019), Mimarlığın Maddiliği’, (Çev. A. Tümertekin), Janus Yayınevi, İstanbul. *Spencer, D. (2018), ‘Neoliberalizmin Mimarlığı’, (Çev. A. Terzi), İletişim Yayıncılık, İstanbul. *Bilgin, İ. (2016), ‘Mimarın Soluğu’, Metis Yayıncılık, İstanbul. *Foster, H. (2013), ‘Sanat Mimarlık Kompleksi’, (çev. S. Özaloğlu), İletişim Yayıncılık, İstanbul. *Saatçioğlu, N.O. (2011), “Mimari Biçimlenişte ‘Yalınlık ve Karmaşıklık’ Kavramlarının Değerlendirilmesi”, Doktora Tezi, İstanbul Teknik Üniversitesi, Fen Bilimleri Enstitüsü, İstanbul. * Mostafavi, M. & Leatherbarrow, D. (2005), ‘Zaman İçinde Mimari’, (çev. Y. Civelek), Ötüken Yayıncılık, İstanbul. *Zumthor, P. (1998), ‘Thinking Architecture’, İsviçre; Birkhauser Architecture. |
Course Learning Outcomes | 1 |
2 |
3 |
4 |
5 |
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Program Outcomes | |||||||||||||||
1) She/he gains knowledge of and develops values on technical, aesthetic, cultural, historical, social and ethical dimensions of architecture with a scientific and critical approach. | |||||||||||||||
2) She/he integrates architectural practice with environmental, economic and social sustainability principles. | |||||||||||||||
3) She/he has the knowledge and ability to provide and implement interactions between urban planning, urban design and architectural projects. | |||||||||||||||
4) Gains the ability to identify architectural potentials and problems based on data collection, analysis, interpretation and critical thinking, in order to cultivate concepts and determine strategies for action. | |||||||||||||||
5) She/he is able to interrelate theory, design and construction practices. | |||||||||||||||
6) She/he will be able to produce architectural design, presentation, implementation, management and supervision stages both independently and collectively for different contexts and scales and through a responsive approach to social, functional, technical and aesthetic requirements. | |||||||||||||||
7) In addition to traditional methods, she/he interactively uses the emerging information technologies required by the field. | |||||||||||||||
8) To analyze and document the historical and conservation characteristics of the built environment; taking into account of the balance between protection and use, she/he has the ability and necessary knowledge in renovation and restoration issues. | |||||||||||||||
9) She / he gains the ability to cooperate with different disciplines on the conception and design of the built environment, as an individual and/or as a team member. | |||||||||||||||
10) Has knowledge on and comprehension of professional ethics and codes of conduct, legal and managerial regulations, standards, rights and responsibilities and processes in the field of architecture. | |||||||||||||||
11) Can produce design, know-how and knowledge for the improvement of different and changing social needs, and fort he enhancement of life quality. | |||||||||||||||
12) She/he has the knowledge and responsibility to design solidly built structures and takes into account of the risks of natural disaster. | |||||||||||||||
13) She/he monitors new developments in architectural theory and practice and is open to lifelong learning. | |||||||||||||||
14) She/he takes responsibility for the improvement of social consciousness in the field of architecture, and for the endorsement and defense of ecological and urban rights. | |||||||||||||||
15) Has architectural communication skills in a foreign language. |
No Effect | 1 Lowest | 2 Average | 3 Highest |
Program Outcomes | Level of Contribution | |
1) | She/he gains knowledge of and develops values on technical, aesthetic, cultural, historical, social and ethical dimensions of architecture with a scientific and critical approach. | |
2) | She/he integrates architectural practice with environmental, economic and social sustainability principles. | |
3) | She/he has the knowledge and ability to provide and implement interactions between urban planning, urban design and architectural projects. | |
4) | Gains the ability to identify architectural potentials and problems based on data collection, analysis, interpretation and critical thinking, in order to cultivate concepts and determine strategies for action. | |
5) | She/he is able to interrelate theory, design and construction practices. | |
6) | She/he will be able to produce architectural design, presentation, implementation, management and supervision stages both independently and collectively for different contexts and scales and through a responsive approach to social, functional, technical and aesthetic requirements. | |
7) | In addition to traditional methods, she/he interactively uses the emerging information technologies required by the field. | |
8) | To analyze and document the historical and conservation characteristics of the built environment; taking into account of the balance between protection and use, she/he has the ability and necessary knowledge in renovation and restoration issues. | |
9) | She / he gains the ability to cooperate with different disciplines on the conception and design of the built environment, as an individual and/or as a team member. | |
10) | Has knowledge on and comprehension of professional ethics and codes of conduct, legal and managerial regulations, standards, rights and responsibilities and processes in the field of architecture. | |
11) | Can produce design, know-how and knowledge for the improvement of different and changing social needs, and fort he enhancement of life quality. | |
12) | She/he has the knowledge and responsibility to design solidly built structures and takes into account of the risks of natural disaster. | |
13) | She/he monitors new developments in architectural theory and practice and is open to lifelong learning. | |
14) | She/he takes responsibility for the improvement of social consciousness in the field of architecture, and for the endorsement and defense of ecological and urban rights. | |
15) | Has architectural communication skills in a foreign language. |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Workload |
Course Hours | 13 | 39 |
Midterms | 1 | 3 |
Final | 1 | 3 |
Total Workload | 45 |