Interior Architecture and Environmental Design | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | ICM056 | ||||
Course Name: | Stage Design | ||||
Semester: | Fall | ||||
Course Credits: |
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Language of instruction: | Turkish | ||||
Course Condition: | |||||
Does the Course Require Work Experience?: | No | ||||
Type of course: | Departmental Elective | ||||
Course Level: |
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Mode of Delivery: | E-Learning | ||||
Course Coordinator: | Doç. Dr. BİLGE YARAREL DOĞAN | ||||
Course Lecturer(s): | Lecturer Atıl Aggündüz | ||||
Course Assistants: |
Course Objectives: | This course offers students an opportunity to understand the basic concepts of stage design, art direction processes, and the role of visual narrative on stage. By focusing on design elements such as color, light, texture, space and costume, students develop their ability to tell visual stories while creating the stage world. This course also offers students who want to explore the creative potential of the performing arts the opportunity to take a closer look at arts management processes. While students learn art management processes, they also have the opportunity to understand and apply the dramatic effect of visual design. Throughout the course, students are given the opportunity to express themselves and create unique projects in the field of stage design and art management. They also improve their ability to realize their own stage design projects. |
Course Content: | This course adopts a comprehensive content covering the disciplines of stage design and art management and aims to provide students with theoretical knowledge and practical skills. While students explore prominent concepts and techniques in both set design and stage design, they will learn to realize their projects in accordance with professional standards. The emphasis of the course is to provide students with the ability to put arts management processes into practice and work on projects focused on enhancing the dramatic effects of stage design. Additionally, by hosting leading industry professionals throughout the course, students will be offered the opportunity to gain insight into real-world experiences and sectoral contexts. This approach ensures that students are equipped with not only theoretical knowledge but also practical knowledge in line with industry standards. It aims to make learning more effective and applicable by focusing on students' skills. |
The students who have succeeded in this course;
1) Understanding of Theoretical Foundations: Students will grasp the basic theoretical concepts of the stage design and arts management disciplines and understand the evolution of art and the historical context of stage design. 2) Development of Practical Skills: Students will have the opportunity to develop basic practical skills for stage design and art management processes, and will gain competence in planning, designing and implementing their projects. 3) Strengthening Visual Analytical Abilities: Students will develop their ability to understand and analyze the visual language of stage design, visualizing the dramatic effects of stage elements. They will gain deciphering skills. 4) Ensuring Compliance with Industry Standards: Students will master industry norms by learning to realize stage design and art management projects in accordance with professional standards. 5) Teamwork and Communication Skills: Students will gain the ability to work and communicate effectively in stage design, and will develop skills in collaborating and exchanging ideas within a group. 6) Professional Networking: Thanks to the sector professionals and application projects that will be hosted within the scope of the course, students will have the opportunity to establish sectoral connections by expanding their existing professional networks in the field of stage design and art management. |
Week | Subject | Related Preparation |
1) | Week 01: Friday, October 20: MEETING Information about the course scope and weekly flow + introduction. | |
2) | BASIC CONCEPTS + ICONOGRAPHY Identification of basic concepts through monitoring and analysis and introduction to iconography, theoretical/practical references and connection diagrams of concepts | |
3) | MOODBOARD/VIDEO Ensuring the visual and conceptual integrity of the narratives and applicability, establishing the conceptual framework and transition to implementation/operation. | |
4) | STUDIO VENUE, EQUIPMENT AND OPERATIONS[Field Visit]Field Visit + Pop-up Workshop | |
5) | SUBMISSION Project 01 Submission presentations and evaluation. | |
6) | BRAND IDENTITY CREATION/MANAGEMENT AND OTHER ADAPTATIONS/APPLICATIONS. Guest: HAZAL KANTMAN | |
7) | MUSIC INDUSTRY IDENTITY CREATION/MANAGEMENT AND OTHER ADAPTATIONS/APPLICATIONS Guest: ECE ÇELEBİOĞLU ALBAYRAK + NOVA NORDA | |
8) | MIDTERM SUBMISSION | |
9) | Project/Practice 02 Delivery presentations and critics | |
10) | PERFORMANCE, CONTENT AND SCENE COMMUNICATION/RELATIONSHIP Guest: LARA DI LARA | |
11) | CONCEPT + MOODBOARD + INTRODUCTION PRACTICE TO STAGE DESIGN | |
12) | STAGE DESIGN + STAGE OPERATION: Feedback on the implementation of concept studies and first stage ideas and preparations for the operation | |
13) | MATERIAL, APPLICABILITY, SEMANTIC INTEGRITY AND FLOW | |
14) | ART MANAGEMENT + STAGE DESIGN FINALIZATION Finalizing stage design and art management decisions, evaluation meetings with students and course evaluation. |
Course Notes / Textbooks: | The Art oÿ Dramatic WritinĀ" - Lajos EĀri (1942) "Theater oÿ the Mind: ImaĀination, Aesthetics, and American Radio Drama" - Neil Verma (2012) "StaĀe DesiĀn: A Practical Guide" - Gary Thorne (2007) "ScenoĀraphy: An Evolutionary Perspective" - Arnold Aronson (2005) "Theatre and Perÿormance DesiĀn: A Reader in ScenoĀraphy" - Jane Collins, Andrew Nisbet (2010) "Visual StorytellinĀ: The Art and Technique" - Tony C. Caputo (2011) "The Scene Study Book: ActinĀ the Text" - Michael Bloom (2002) "Theatrical DesiĀn and Production: An Introduction to Scene DesiĀn and Construction, LiĀhtinĀ, Sound, Costume, and Makeup" - J. Michael Gillette, Rich Dionne (2013) "A Visual History oÿ Costume: The Twentieth Century" - NiĀel Lester, Jenny de Gex (1996) "Space and Place: The Perspective oÿ Experience" - Yi-Fu Tuan (1977) |
References: | The Art oÿ Dramatic WritinĀ" - Lajos EĀri (1942) "Theater oÿ the Mind: ImaĀination, Aesthetics, and American Radio Drama" - Neil Verma (2012) "StaĀe DesiĀn: A Practical Guide" - Gary Thorne (2007) "ScenoĀraphy: An Evolutionary Perspective" - Arnold Aronson (2005) "Theatre and Perÿormance DesiĀn: A Reader in ScenoĀraphy" - Jane Collins, Andrew Nisbet (2010) "Visual StorytellinĀ: The Art and Technique" - Tony C. Caputo (2011) "The Scene Study Book: ActinĀ the Text" - Michael Bloom (2002) "Theatrical DesiĀn and Production: An Introduction to Scene DesiĀn and Construction, LiĀhtinĀ, Sound, Costume, and Makeup" - J. Michael Gillette, Rich Dionne (2013) "A Visual History oÿ Costume: The Twentieth Century" - NiĀel Lester, Jenny de Gex (1996) "Space and Place: The Perspective oÿ Experience" - Yi-Fu Tuan (1977) |
Course Learning Outcomes | 1 |
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Program Outcomes | ||||||||||||||
1) Continuously following up-to-date publications and developments related to the profession of Interior Architecture and shaping the design process in line with the theoretical and practical knowledge in the field of architecture and art. | ||||||||||||||
2) Acquiring universal knowledge in the fields within the discipline of interior architecture. | ||||||||||||||
3) To have the right professional communication skills in professional life by using all the inputs and conditions related to Interior Architecture profession and to have mastered the methods of interior architecture representation and professional terminology. | ||||||||||||||
4) Focusing on the various functions within the whole interior design design and handling the pieces of space as a whole. | ||||||||||||||
5) Evaluating the concept of space design through different disciplines. | ||||||||||||||
6) To be able to make contemporary designs suitable for the person by relating the relationship between human-space-scale concepts with the needs of the people. | ||||||||||||||
7) Ability to use all presentation and expression techniques with the necessary knowledge of fine arts in order to express the design process correctly. | ||||||||||||||
8) To be able to manage the process that goes from design to application by showing the details related to the application after the interior architecture has matured in the design stage. | ||||||||||||||
9) Project and construction site management and applications, employee health, environmental and occupational safety awareness, professional standards and business law. | ||||||||||||||
10) To be able to choose the right materials and application methods with sufficient and up-to-date information about building materials and their applications. | ||||||||||||||
11) To be able to understand problems related to construction, design, application and engineering. | ||||||||||||||
12) To be able to make original interior design by combining aesthetic, technical and functional conditions, and to continuously develop the professional knowledge and skills. | ||||||||||||||
13) According to a foreign language education level, in terms of European Language Portfolio criteria; at least B1; use at general level. | ||||||||||||||
14) Use computer software and information and communication technologies at the advanced level of European Computer Driving License required by the field. |
No Effect | 1 Lowest | 2 Average | 3 Highest |
Program Outcomes | Level of Contribution | |
1) | Continuously following up-to-date publications and developments related to the profession of Interior Architecture and shaping the design process in line with the theoretical and practical knowledge in the field of architecture and art. | |
2) | Acquiring universal knowledge in the fields within the discipline of interior architecture. | |
3) | To have the right professional communication skills in professional life by using all the inputs and conditions related to Interior Architecture profession and to have mastered the methods of interior architecture representation and professional terminology. | |
4) | Focusing on the various functions within the whole interior design design and handling the pieces of space as a whole. | |
5) | Evaluating the concept of space design through different disciplines. | |
6) | To be able to make contemporary designs suitable for the person by relating the relationship between human-space-scale concepts with the needs of the people. | |
7) | Ability to use all presentation and expression techniques with the necessary knowledge of fine arts in order to express the design process correctly. | |
8) | To be able to manage the process that goes from design to application by showing the details related to the application after the interior architecture has matured in the design stage. | |
9) | Project and construction site management and applications, employee health, environmental and occupational safety awareness, professional standards and business law. | |
10) | To be able to choose the right materials and application methods with sufficient and up-to-date information about building materials and their applications. | |
11) | To be able to understand problems related to construction, design, application and engineering. | |
12) | To be able to make original interior design by combining aesthetic, technical and functional conditions, and to continuously develop the professional knowledge and skills. | |
13) | According to a foreign language education level, in terms of European Language Portfolio criteria; at least B1; use at general level. | |
14) | Use computer software and information and communication technologies at the advanced level of European Computer Driving License required by the field. |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 1 | % 10 |
Homework Assignments | 1 | % 20 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
total | % 100 |
Activities | Number of Activities | Workload |
Course Hours | 13 | 26 |
Midterms | 2 | 4 |
Total Workload | 30 |